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14-May-2018 05:38 by 5 Comments

Dating webseite fur swinger in deutschland

In a letter from Leipzig dated April 1832, Schumann bids his brothers "read the last scene in Jean Paul's Flegeljahre as soon as possible, because the Papillons are intended as a musical representation of that masquerade." This inspiration is foreshadowed to some extent in his first written criticism, an 1831 essay on Frédéric Chopin's variations on a theme from Mozart's Don Giovanni, published in the Allgemeine musikalische Zeitung.Here Chopin's work is discussed by imaginary characters created by Schumann himself: Florestan (the embodiment of Schumann's passionate, voluble side) and Eusebius (his dreamy, introspective side) – the counterparts of Vult and Walt in Flegeljahre.

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After a suicide attempt in 1854, Schumann was admitted to a mental asylum, at his own request, in Endenich near Bonn.

Schumann then focused his musical energies on composing.

Schumann's published compositions were written exclusively for the piano until 1840; he later composed works for piano and orchestra; many Lieder (songs for voice and piano); four symphonies; an opera; and other orchestral, choral, and chamber works.

Even though he often disregarded the principles of musical composition, he created works regarded as admirable for his age.

The Universal Journal of Music 1850 supplement included a biographical sketch of Schumann that noted, "It has been related that Schumann, as a child, possessed rare taste and talent for portraying feelings and characteristic traits in melody,—ay, he could sketch the different dispositions of his intimate friends by certain figures and passages on the piano so exactly and comically that everyone burst into loud laughter at the similitude of the portrait." (W. von Wasielewski 17–19) At age 14, Schumann wrote an essay on the aesthetics of music and also contributed to a volume, edited by his father, titled Portraits of Famous Men.

In 1829 his law studies continued in Heidelberg, where he became a lifelong member of Corps Saxo-Borussia Heidelberg.

(See also: Corps) During Eastertide 1830 he heard the Italian violinist, violist, guitarist, and composer Niccolò Paganini play in Frankfurt.

Neither his mother nor his guardian thereafter encouraged a career in music.

In 1828 Schumann left school, and after a tour during which he met Heinrich Heine in Munich, he went to Leipzig to study law (to meet the terms of his inheritance).

Works such as Carnaval, Symphonic Studies, Kinderszenen, Kreisleriana, and the Fantasie in C are among his most famous.

His writings about music appeared mostly in the Neue Zeitschrift für Musik (New Journal for Music), a Leipzig-based publication which he jointly founded.

While still at school in Zwickau, he read the works of the German poet-philosophers Friedrich Schiller and Johann Wolfgang von Goethe, as well as Byron and the Greek tragedians.